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金正恩氏、国立交響楽団の創立80周年に祝賀の書簡
🗞 Korea News Service (KCNA)🕒 2026-08-08 10:09 JST4日前
翻訳
平壌8月8日(KCNA)——敬愛する金正恩同志は8日(土)、国立交響楽団の創立80周年に際し、同楽団の創作者および芸術家たちへ祝賀の書簡を送った。書簡の全文は次のとおりである。
私は、朝鮮労働党中央委員会および朝鮮民主主義人民共和国政府の名において、愛する祖国とともにその輝かしい歴史を輝かせてきたという名誉と誇りをもって創立80周年を迎える国立交響楽団の創作者・芸術家たちに、温かい祝賀と激励のあいさつを送る。
我が国独自の様式による混成管弦楽の作品が持つ荘厳で特色ある音色によって人民の感興を呼び起こしてきた、意義深い牡丹峰劇場と国立交響楽団の歴史にまつわる記憶は、実に格別なものである。
1946年8月8日に「金日成将軍の歌」の演奏をもって新しい朝鮮の最初の管弦楽団として誕生を宣言した同楽団は、建国への高揚した気概と気迫をもって文明と繁栄を成し遂げようとする全人民の思想的意志と強い志向を力強く示し、時代の模範的名作をもって社会の進歩に新たな活力と精気を注いだ。これらは我が歴史の頁に刻まれている。
国が過酷な試練を経験した日々に、同楽団の創作者・芸術家たちは進んで苦難の道を歩み、楽器を闘争の武器として革命を支えた。創造と建設に沸き立った数十年において、彼らは社会主義の祖国への愛情をもって、輝かしい未来を形づくる人民の価値ある生活を誇らかに歌い上げた。こうして彼らは我が偉業の前進に大きな激励を与えた。彼らのこの功績は決して些細なものではない。
創立の最初の日々から、同楽団は我が党と社会主義をたたえる歌を管弦楽作品や交響組曲、メドレーとして描き、それらを記念碑的名作として提示してきた。その創作活動は、我が栄光ある共和国が歩んできた勝利の道程を、荘厳で清新な音色によって歴史に記録した愛国的偉業である。同楽団が描いてきた作品の総題は、(本文はここで途切れている)
解説
本記事は北朝鮮国営のKCNAが金正恩総書記名義で発した祝賀書簡を伝えるもので、体制の指導者と党・社会主義を称揚する典型的なプロパガンダ的性格を持つ。文化・芸術団体の記念行事を通じて指導者への忠誠と体制の正統性を強調するのは北朝鮮メディアの常套手法である。80周年という節目を選び、建国神話(金日成)と現指導部を連続させて描く点に狙いがある。日本を含む周辺国にとっては直接の安全保障上の影響は薄いが、体制内部の結束強化の動向を読む素材となる。
▾ 英語原文(Korea News Service (KCNA))
Pyongyang, August 8 (KCNA) — Respected Comrade Kim Jong Un sent a letter of congratulations to the creative workers and artistes of the National Symphony Orchestra on Saturday, its 80th founding anniversary. The full text of his letter is as follows: I, in the name of the Central Committee of the Workers’ Party of Korea and the government of the Democratic People’s Republic of Korea, extend warm congratulations and greetings of encouragement to the creative workers and artistes of the National Symphony Orchestra on greeting its 80th founding anniversary with a sense of honour and pride in having glorified its brilliant history together with our beloved motherland. Quite extraordinary are the remembrances of the history of the meaningful Moranbong Theatre and of the National Symphony Orchestra that have aroused emotions among the people with the solemn and characteristic sounds of the works of mixed orchestra of our own style. Having proclaimed its birth as the first orchestra of a new Korea on August 8, 1946 with the playing of “Song of General Kim Il Sung”, it powerfully demonstrated the ideological will and strong aspiration of all the people to achieve civilization and prosperity with a soaring spirit and mettle for nation building; it has injected renewed vitality and vigour into social progress with model masterpieces of the times. These are etched in the pages of our history. In the days when the country was experiencing harsh trials, the creative workers and artistes of the orchestra willingly followed the arduous road and rendered support to the revolution with the musical instruments as a weapon of struggle. In the decades that seethed with creation and construction, they proudly sang of the worthwhile life of the people who were shaping a rosy future with affection for their socialist country. In this way, they offered great encouragement to the progress of our cause. These feats of theirs are never trifling. From the first days of its founding, it has portrayed the songs of praise of our Party and socialism as orchestral works and symphonic suites and medleys, thus presenting them as monumental masterpieces. Its creative activities constitute patriotic feats that recorded in history by dint of solemn and fresh sounds the victorious course our glorious Republic has traversed. The general title of the works the orchestra has portrayed and put on stage over the past 80 years, sharing the history of our people’s struggle to accomplish the gigantic social transformations under the leadership of the Party, should be called “Symphony of Socialism” on its own terms. In the stirring decade when an era of overall efflorescence of Juche-oriented art was being ushered in, it re-presented such masterpieces as “A Bumper Harvest in the Chongsan Plain”, “The Dear Home in My Native Village”, “The Girl on the Swing” and “Arirang”, pioneering a new realm of symphony of our own style and bringing home to the people the unusual might of music that leads them to share the destiny of their country and promotes its development. Our people still remember vividly these creative activities of the orchestra. It can be said that every work represents the language of faith and conscience and the melody of love and passion, which can be expressed only by the musicians of Korea who regard our Party’s ideas on aesthetics and musical theories as the only ideology and banner for their creation and by true artistes who treasure everything beautiful on this land and are determined to sing of it to the last moment of their lives. Comrades Ho Jae Bok, Kim Pyong Hwa, Choe Ki Hyok and other talented conductors and instrumentalists of the orchestra made a contribution to cultivating the rich flower garden of the Juche-oriented art with unflagging passion. Their images still remain implanted in the eyes of our people, and serve as a model of worthwhile life of the revolutionary men of art and literature who sang of their motherland throughout their lives. Th
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